原帖地址http://alizeeamerica.com/forums/showthread.php?t=2377&page=11
贴吧视频还在审核中，小破站已经弄了字幕，报道内容如下:
Nikos Aliagas: For several weeks, the celeb press has been announcing the imminent showdown between Alizée and her former producer and mentor, Mylène Farmer.
Sandrine Quétier: Six years after the huge success of "Lolita," Alizée is getting ready to release a new album this fall, a big event, for her big return.
Nikos: What should we make of these rumors of a falling-out between the two singers?
Sandrine: And Why did Alizée and Mylène Farmer end such a fruitful collaboration?
Nikos: A report by Thomas Chagnot and Stephanie Marthaud.
Patrick Bruel: The people have voted, it's not your fault...Alizée!
Narrator: January 20, 2001, was a day of triumph for the young singer Alizée. Just 16 years old, she had just been crowned the Revelation of the Year at the NRJ Music Awards.
Alizée: I'm living a fairy tale. I thank you very much.
Narrator: A catchy melody, adult lyrics coming from a child's mouth, tempting outfits, and coded eroticism in the album shot the young schoolgirl to the top of the charts, resulting in the single Moi... Lolita selling more than a million copies, a phenomenal success.
Bertrand Dicale: Alizée's first album was obviously a success, a shock, a surprise. A moment for an entire generation.
N: A real fairy tale for Alizée, a waking dream that she owed to her two mentors who made a star out of her.
Alizée: I'd like to thank my mentors and my queen Mylène Farmer and Laurent Boutonnat.
N: Now, however, they're at war. The rumor has been circling for several days that Alizée is getting ready to release a song whose lyrics sound like a settling of scores with her ex-mentor Mylène Farmer--a perfect model of someone who knows how violent the music world is.
Mylène: I think to be in this profession you have to have guts, because there are mortal enemies out there.
N: Now, according to the celeb press, the breakup between the two seems to be true.
Benoit Sabatier: It was no longer possible for her to play the little lolita, in skimpy underwear.
Benjamin Locoge: It was an image that really didn't fit her anymore.
Antoine Bioy: The end was really there. She's now at a turning point in her career.
Benoit Sabatier: For her third album, it seems obvious Alizée wants to really turn the Mylène Farmer page for good.
Benjamin Locoge: If the album succeeds, she'll be relaunched; if the album fails, she's finished.
N: What really is Mylène Farmer's relationship with her ex-protégée Alizée? Will the young singer be able to release her next album without her ex-mentor's touch? A look into the return of the one that everyone knows by the name "Lolita."
September 2007: For several weeks the rumor has been circulating: Alizée is secretly preparing her return, a comeback shrouded in mystery and breezes, and there's talk of a segment from the leading song on her new album that, according to rumors, seems to be aimed directly at Mylène, through lyrics that are ambiguous to say the least.
Benoit Sabatier: There seem to be allusions in this song called "L'Idéalizée" to the fact that Mylène is past her prime, that she's a perverted figure.
N: Lyrics that are vague enough to let loose all kinds of interpretations. A source close to her record company confirms the existence of this song's sulfurous message. He sent to us what apparently are the lyrics of the first few couplets.
Bertrand Dicale: It describes the "doll" who tore herself from clutches of her masters. At the same time, it's a song, and songs are never done with lukewarm feelings and balanced ideas.
N: Why would Alizée go up against the person who gave her everything? To understand this, we must go back to the beginning of a relationship that began in 1999.
Laurent Boyer: Her name is Alizée.
Antoine Bioy: Mylène Farmer had discovered Alizée while watching "Graines de Star."
Benjamin Locoge: Farmer noticed her, they already had the song Moi... Lolita, so they got into contact with her to have her record it.
Benoit Sabatier: Mylène thought, "Hey, I'll take this lively little girl, I'll make her my thing, my creature, I'll write songs for her, she'll be my 'mini-me'."
N: In just three months Mylène Farmer and Laurent Boutonnat modeled the young woman in order to make a clever marketing product out of her. Upon its release in July 2000, Moi... Lolita became the hymn of a generation. The album Gourmandises soon followed, and it was another success.
Bertrand Dicale: Alizée was living a kind of dream. Almost all the girls, in almost all classes in all the French schools heard about Alizée, liked Alizée, sang Alizée, danced Alizée, dressed like Alizée.
Antoine Bioy: Alizée played the Lolita character very well.
Antoine Bioy: She of course slipped into the lolita's clothes happily and with huge success at the same time.
N: Only, the success had a price.
Benoit Sabatier: It was really Mylène Farmer who did everything. Alizée came on to sing, and then she was there for the music videos, the image.
Benjamin Locoge: They rarely talked to each other. When they talked, it was at the end of rehearsal--she'd see her in her dressing room for two minutes, then she'd leave. Farmer had her own separate room; she had the main dressing room even though it wasn't her show.
N: For three years Alizée had to obey the rules set down by Mylène Farmer and Laurent Boutonnat, and it was like the young singer was in school: evaluated, graded, disciplined.
Antoine Bioy: In one corner you could see Mylène Farmer and her staff taking notes during all the concerts.
Alizée: She said that there were still things to work on, because you don't get to that level without hard work, so...but it was still a good début.
N: Alizée was almost 20 when she did her first Olympia show in 2003. At 400,000 copies sold, her second album was a success, even though it sold twice as few copies as the first one. The teenager grew up and felt suffocated in her role as Lolita.
Bertrand Dicale: She no longer had that rocketing, shooting stardom that she had two years earlier, and that's maybe the moment where something stopped working.
Benjamin Locoge: Alizée had stage costumes that were quite short, she didn't feel comfortable wearing them, she didn't like them anymore, it was an image that really didn't fit her anymore.
N: Alizée only had one solution: free herself from the bonds of her old mentor. But freedom has a price. In 2000, when Mylène Farmer and Laurent Boutonnat launched their protégée, they took the legal precaution of officially copyrighting the Alizée name. As a result, everything that the young girl sold fell into Farmer's and Boutonnat's pockets. The year of the release of Lolita, they reportedly took in 5 million euros. So if she wanted to get her freedom back, and especially the chance to earn her own money, she only had one solution: get her name back.
Jean-Marie Moiroux: Alizée bought her trademark (logo, brand, etc) back by paying a financial consideration.
N: According to our sources, Alizée succeeded in getting her name back, but right now it's impossible to find out the exact amount of the transaction. Finally free, Alizée can now release an album that's more her style, and to ensure its success, she's relying on the techniques of her teacher Mylène Farmer; rule number one: controversy.
Benjamin Locoge: With a strong song, a controversial song, that'll reinstall her directly into the spotlight. Of course, it's a way of making people talk about her, it's a marketing strategy, you can tell she learned something from her adventure with Farmer.
N: Rumors of dispute with Mylène Farmer, a song announced as a settling of scores; in closing, Alizée is surfing the waves, and she hasn't chosen the album release date randomly. It should be available just weeks after the "trash" remake of her lolita hit by the Nouvelle Star Julien Doré. Expected to hit the shelves in November 2007, it remains to be seen if Alizée will be able to make people forget Lolita.
...分割线...几个记者真是恶意满满啊...
贴吧视频还在审核中，小破站已经弄了字幕，报道内容如下:
Nikos Aliagas: For several weeks, the celeb press has been announcing the imminent showdown between Alizée and her former producer and mentor, Mylène Farmer.
Sandrine Quétier: Six years after the huge success of "Lolita," Alizée is getting ready to release a new album this fall, a big event, for her big return.
Nikos: What should we make of these rumors of a falling-out between the two singers?
Sandrine: And Why did Alizée and Mylène Farmer end such a fruitful collaboration?
Nikos: A report by Thomas Chagnot and Stephanie Marthaud.
Patrick Bruel: The people have voted, it's not your fault...Alizée!
Narrator: January 20, 2001, was a day of triumph for the young singer Alizée. Just 16 years old, she had just been crowned the Revelation of the Year at the NRJ Music Awards.
Alizée: I'm living a fairy tale. I thank you very much.
Narrator: A catchy melody, adult lyrics coming from a child's mouth, tempting outfits, and coded eroticism in the album shot the young schoolgirl to the top of the charts, resulting in the single Moi... Lolita selling more than a million copies, a phenomenal success.
Bertrand Dicale: Alizée's first album was obviously a success, a shock, a surprise. A moment for an entire generation.
N: A real fairy tale for Alizée, a waking dream that she owed to her two mentors who made a star out of her.
Alizée: I'd like to thank my mentors and my queen Mylène Farmer and Laurent Boutonnat.
N: Now, however, they're at war. The rumor has been circling for several days that Alizée is getting ready to release a song whose lyrics sound like a settling of scores with her ex-mentor Mylène Farmer--a perfect model of someone who knows how violent the music world is.
Mylène: I think to be in this profession you have to have guts, because there are mortal enemies out there.
N: Now, according to the celeb press, the breakup between the two seems to be true.
Benoit Sabatier: It was no longer possible for her to play the little lolita, in skimpy underwear.
Benjamin Locoge: It was an image that really didn't fit her anymore.
Antoine Bioy: The end was really there. She's now at a turning point in her career.
Benoit Sabatier: For her third album, it seems obvious Alizée wants to really turn the Mylène Farmer page for good.
Benjamin Locoge: If the album succeeds, she'll be relaunched; if the album fails, she's finished.
N: What really is Mylène Farmer's relationship with her ex-protégée Alizée? Will the young singer be able to release her next album without her ex-mentor's touch? A look into the return of the one that everyone knows by the name "Lolita."
September 2007: For several weeks the rumor has been circulating: Alizée is secretly preparing her return, a comeback shrouded in mystery and breezes, and there's talk of a segment from the leading song on her new album that, according to rumors, seems to be aimed directly at Mylène, through lyrics that are ambiguous to say the least.
Benoit Sabatier: There seem to be allusions in this song called "L'Idéalizée" to the fact that Mylène is past her prime, that she's a perverted figure.
N: Lyrics that are vague enough to let loose all kinds of interpretations. A source close to her record company confirms the existence of this song's sulfurous message. He sent to us what apparently are the lyrics of the first few couplets.
Bertrand Dicale: It describes the "doll" who tore herself from clutches of her masters. At the same time, it's a song, and songs are never done with lukewarm feelings and balanced ideas.
N: Why would Alizée go up against the person who gave her everything? To understand this, we must go back to the beginning of a relationship that began in 1999.
Laurent Boyer: Her name is Alizée.
Antoine Bioy: Mylène Farmer had discovered Alizée while watching "Graines de Star."
Benjamin Locoge: Farmer noticed her, they already had the song Moi... Lolita, so they got into contact with her to have her record it.
Benoit Sabatier: Mylène thought, "Hey, I'll take this lively little girl, I'll make her my thing, my creature, I'll write songs for her, she'll be my 'mini-me'."
N: In just three months Mylène Farmer and Laurent Boutonnat modeled the young woman in order to make a clever marketing product out of her. Upon its release in July 2000, Moi... Lolita became the hymn of a generation. The album Gourmandises soon followed, and it was another success.
Bertrand Dicale: Alizée was living a kind of dream. Almost all the girls, in almost all classes in all the French schools heard about Alizée, liked Alizée, sang Alizée, danced Alizée, dressed like Alizée.
Antoine Bioy: Alizée played the Lolita character very well.
Antoine Bioy: She of course slipped into the lolita's clothes happily and with huge success at the same time.
N: Only, the success had a price.
Benoit Sabatier: It was really Mylène Farmer who did everything. Alizée came on to sing, and then she was there for the music videos, the image.
Benjamin Locoge: They rarely talked to each other. When they talked, it was at the end of rehearsal--she'd see her in her dressing room for two minutes, then she'd leave. Farmer had her own separate room; she had the main dressing room even though it wasn't her show.
N: For three years Alizée had to obey the rules set down by Mylène Farmer and Laurent Boutonnat, and it was like the young singer was in school: evaluated, graded, disciplined.
Antoine Bioy: In one corner you could see Mylène Farmer and her staff taking notes during all the concerts.
Alizée: She said that there were still things to work on, because you don't get to that level without hard work, so...but it was still a good début.
N: Alizée was almost 20 when she did her first Olympia show in 2003. At 400,000 copies sold, her second album was a success, even though it sold twice as few copies as the first one. The teenager grew up and felt suffocated in her role as Lolita.
Bertrand Dicale: She no longer had that rocketing, shooting stardom that she had two years earlier, and that's maybe the moment where something stopped working.
Benjamin Locoge: Alizée had stage costumes that were quite short, she didn't feel comfortable wearing them, she didn't like them anymore, it was an image that really didn't fit her anymore.
N: Alizée only had one solution: free herself from the bonds of her old mentor. But freedom has a price. In 2000, when Mylène Farmer and Laurent Boutonnat launched their protégée, they took the legal precaution of officially copyrighting the Alizée name. As a result, everything that the young girl sold fell into Farmer's and Boutonnat's pockets. The year of the release of Lolita, they reportedly took in 5 million euros. So if she wanted to get her freedom back, and especially the chance to earn her own money, she only had one solution: get her name back.
Jean-Marie Moiroux: Alizée bought her trademark (logo, brand, etc) back by paying a financial consideration.
N: According to our sources, Alizée succeeded in getting her name back, but right now it's impossible to find out the exact amount of the transaction. Finally free, Alizée can now release an album that's more her style, and to ensure its success, she's relying on the techniques of her teacher Mylène Farmer; rule number one: controversy.
Benjamin Locoge: With a strong song, a controversial song, that'll reinstall her directly into the spotlight. Of course, it's a way of making people talk about her, it's a marketing strategy, you can tell she learned something from her adventure with Farmer.
N: Rumors of dispute with Mylène Farmer, a song announced as a settling of scores; in closing, Alizée is surfing the waves, and she hasn't chosen the album release date randomly. It should be available just weeks after the "trash" remake of her lolita hit by the Nouvelle Star Julien Doré. Expected to hit the shelves in November 2007, it remains to be seen if Alizée will be able to make people forget Lolita.
...分割线...几个记者真是恶意满满啊...
